FLEUR DE LOUIS
- Regular price
- Sale price
White cedar wood
Oislet de Chypre (a 17th century resinous amber accord based on labdanum).
The olfactive snapshot of Louis XIV and the French Court in 1660. Authentic perfume accords from the 17th century modernized by master perfumer Rodrigo Flores-Roux. FLEUR DE LOUIS is a classic French bouquet of orange blossom, iris, jasmine and rose, set on a woody base evoking an ephemeral pavilion built for the King's nuptials. A decidedly regal and refined scent made with the most noble, high quality naturals.
VERY LIMITED STOCK AVAILABLE
100 ml / 3.4 fl oz. Eau de Parfum.
June 1660, Isle of Pheasants, Basque region, on the French-Spanish border.
To ensure peace between them, two Royal Courts converge at a richly-appointed pavilion built of freshly cut Pine and Cedar wood. From the French side, in a golden aura of Iris, Rose and Jasmine, emerges a young Louis XIV, all starched and composed, eager to catch a glimpse of his new bride, the Infanta Maria Teresa.
Developed with Rodrigo Flores Roux.
The olfactive snapshot of Louis XIV and the French Court, as they gather on the site of the Peace Negotiations with Spain. A composition of authentic 17th century formulas that is regal, radiant & refined.
Eau de Parfum. Large 100 ml / 3.4 fl oz. bottle of the highest Italian quality with our signature ‘A’ engraved metal cap, as well as the newest technology for an invisible spray tube.
- The Pommade de Florence was a popular concoction made of Florentine Iris. Fashionable with the French ladies, it was greatly ‘appreciated’ by the King.
Louis’ signature mixture, ‘Acqua Angeli’ (L’Eau d’Ange), consisted of a mixture of nutmeg, cloves, and other resins boiled in rose water. Jasmine, orange blossom and a few grains of musk were added for his shirts to be rinsed in the sweetly scented water.
- Interiors were already scented in 17th century France: small bird-shaped ornaments known as Oiselets de Chypre, would be produced out of a fragrant paste and hung from ceiling beams.
- Standard protocol did not allow the groom to see the bride before the wedding, but Louis presented himself nonetheless. When Philip IV of Spain saw him come in, he pretended not to see him but made a swift sign to his daughter, who immediately went pale and lowered her eyes.
– Breton, Guy, Histoires d’Amour de l’Historie de France, Tome Quatre, Editions Noir et Blanc, 8 Rue Lincoln, Paris, 1964.
– Genders, Roy, Perfume through the Ages, G.P. Putnam’s Sons, New York, 1972.
– Groom, Nigel, The New Perfume Handbook, Chapman & Hall, London, 1997.
– Hyde, Elizabeth, Cultivated Power: Flowers, Culture, and Politics in the Reign of Louis XIV, University of Pennsylvania Press, Philadelphia, 2005.
– Baumel, Jean, Publicite d’un maitre apothicaire-parfumeur au XVIIeme siècle. Montpellier en 1668, Editions C.G.C. et la Grande Revue, 37 Rue de Constantinople, Paris, 1974.